不约而同 | 钟俊\刘涛油画作品双个展

重温康定斯基《艺术中的精神》，其言“艺术信念的追求、艺术体验化作个人心路历程”，这些素来为我们所珍视的观念，诠释钟俊、刘涛二位先生的双个展恰为适合。

钟俊先生与刘涛先生，两个不同时代、不同专业，在各自的地缘进行各自工作而看似完全没有交集的个体，同时作为绘画艺术的爱好者和实践者，在XYZ画廊进行一次艺术对话。通过各自绘画的表述，对绘画作出自己的解答。二位的理解各有其理，又和而同一。其作品对蔚为壮观的景物心怀敬畏，集中力量刻画可测的对象，传达把握绘画的细腻语境。

电力工程专业背景的钟俊先生，作品试图超越其自身的外在环境，追求艺术的内在体验和艺术不可测的趣味。重拾自身创造力的信念。以他个人的解读将物体、时间、空间分割，自成一体。

刘涛自幼习画，作品从油画技法的表达过渡到绘画的写意，或冷峻，或缤纷，能看出其测度和量化的语言，并试图超越画面的操控和分析，显得广无边界且耐人捉摸。

这是二位严格意义上的第一次双个展，作品有一种外在的相似及内在的类似，以此表达内心的洞见。最终将观者带回真纯视界，在此视界中，作品与现实达成天然的和谐。

Revisiting Kandinsky's "Spirit in Art", and his words "the pursuit of artistic faith and artistic experience turn into a personal mental journey"; these have always been cherished concepts, and interpret this joint exhibition of Zhong Jun and Liu Tao.

Mr. Zhong Jun and Mr. Liu Tao, two artists from different eras and different professions, work in their respective fields and seem to have no connection at all. At the same time, as lovers and practitioners of painting art, they have an art dialogue at XYZ Gallery. Through the expressions of their respective paintings, they can create their own answers to the paintings. The two understandings have their own reasons, and they are harmonious and identical. Their works are in awe of the magnificent scenery, concentrate on depicting measurable objects, and convey the delicate context of the painting.

Mr. Zhong Jun, with a background in electrical engineering, attempts to transcend his own external environment in his works, pursuing the inner experience of art and the unpredictable taste of art and regain the belief in creativity. Based on his personal interpretation, he separates objects, time, and space into one.

Liu Tao has studied painting since he was a child, and his works have gone from the expression of oil painting techniques to the freehand brushwork, which range from the stern to the rich and full of color. He can see the language of measurement and quantification, and tries to go beyond the manipulation and analysis of the picture, which appears broad and insensitive.

This is the first joint exhibition of the two in a strict sense. The works have an external similarity and an internal similarity to express their inner insights. In the end, the viewer is brought back to the pure vision, in which the work and reality reach a natural harmony.